永福五橘宮黃舜廷個展｜Yong Fu Temple of Five Oranges Huang Shun-Ting Solo Exhibition

永福五橘宮黃舜廷個展

Yong Fu Temple of Five Oranges

Huang Shun-Ting Solo Exhibition

時間｜2020/07/18（Sat.）- 2020/08/17（Mon.）

開幕｜2020/07/18（Sat.）15:00

地點｜節點 Zit-Dim Art Space

地址｜臺南市永福路二段84號，永福國小旁

開放時間｜五、六、日、一，15:00 - 19:00

贊助單位｜文化部

協辦單位｜土星工作室

「五橘宮」將以南遷的名義再次興建，並搬遷至台南市永福國小旁，命名為《永福五橘宮》。

「福」原意為向神明祈求、請神靈保佑；後則引申為幸運、吉祥之意。祈求「永福」，便是期望獲得恆久的運氣，欲求長遠的幸福，這無非是一種人的本能慾念的展現。在先前針對全台財神廟的踏查過程中，偶然發現一間位於八里，可供民眾入內歡唱的土地公廟－《福久宮》，藉著「福久」與「永福」之間相通的意涵，以及與「五橘宮」相仿，同樣作為展示著慾望的信仰場域，本次個展便以《福久宮》作為敘述架構的參照，以一台投幣式卡拉OK機，邀請觀者一同參與，使其駐足停留，並藉著音樂與旋律，喚起觀者對此空間的另一層想像。

一個信仰場域的南遷重啟，形構出的是一條慾望擴張的路徑，同時也透露了創作者的移動軌跡。此次個展便是借用這個與地方連結緊密的儀式性場域形式，回應此兼具自主性、公共性與替代功能的展示空間，其中由不同形式的物件所構成的慾望形體，齊聚一堂，共同展示著屬於集體對慾望的想像。置身此處，猶如進入一個被各種符號化、世俗化慾望所包圍的世界，而原先的儀式行為與政治功能，悄悄地被娛樂與消費行為所取代，俗世之慾在此交會，成為了一種可能，並構築出一處並存著消費文化、地方信仰、價值認同、世俗美學以及個人慾望的現實空間。

Yong Fu Temple of Five Oranges－Huang Shun-Ting Solo Exhibition

Time｜2020/07/18（Sat.）-2020/08/17（Mon.）

Opening｜2020/07/18（Sat.）15:00

Venue｜Zit-Dim Art Space

Address｜No. 84, Sec. 2, Yongfu Rd., West Central Dist., Tainan City, Taiwan

Open｜FRI.-SUN. 15:00-21:00

Sponsor Unit｜Ministry of Culture

Support Unit｜Tu Xing Studio

“Temple of Five Oranges” has moved south and rebuilt in Tainan, located next to Yong Fu Primary School, entitled “Yong Fu Temple of Five Oranges”.

“Fu” (luck), originally was to pray for the spirits’ blessings, which later became luck and propitious. Pray for “Yong Fu” (forever luck), is to wish for gaining forever propitious and happiness, which appears as a kind of humanity desire. While started investigating in focus on the Taiwanese Temple of Wealth, suddenly came across with a TuDi Temple (Temple of Land/Soil) in the Bali District – Fu Jiu Temple, which welcomes the public to sing and have fun in it. Both “Fu Jiu” and “Yong Fu” have the same implication, and similar to “Temple of Five Oranges”, as a ground to reveal the human religious and desires.

This exhibition as a reference to the Fu Jiu Temple structure, with a coin-operated karaoke machine, invites audience to stay a while to participate, following the music and rhythm to evoke furtherer imaginations beyond this space.

A religious space moved south relocation, as well as disclosing the creator’s moving track, it forms a wider path towards human desire. This exhibition is borrowing this space to closely engage with both ritual space and ceremony forms together, reveals the public collective imaginations and desires. Being here, as if entering a space surrounded by all sorts of symbols and secular desires. From original performative rituals and political features, slowly replaced by entertainments and consumptive behaviors. The exchange of secular desires eventually builds up a structure of space in reality with the coexistence of all cultural consumptions, local believes, value identifications, secular aesthetics and personal desires.